
We are proud to present ‘Between Love and Death’, an extraordinary exhibition that delves into the enigmatic worlds of Tracey Emin and Damien Hirst, two renowned contemporary artists and prominent figures within the Young British Artists (YBA) movement.
Emin’s vibrant and deeply personal works lay bare her tumultuous journey through life.
Her raw and unfiltered artworks invite viewers into her emotional realm, filled with moments of vulnerability, love, and self-reflection. Meanwhile, Hirst unveils his unrelenting fascination with mortality, shedding light on the fragility and impermanence of human existence with his artworks that force us to confront our notions of life and death.
The style, media, and aesthetics of Emin and Hirst’s work are entirely distinct, but both create with fearless audacity, employing shock tactics, pushing boundaries, and challenging conventional norms. Together, Emin and Hirst provoke and provide a captivating dialogue on the human condition. This exhibition brings together a collection of their most iconic and thought-provoking works, revealing the intimate connection between their artistic visions: the shared exploration of profound human experiences.

Damien Hirst
I Once Was What You Are, You Will Be What I Am (#1/6), 2007
Photogravure etching on Arches paper
Signed and numbered from the edition of 48 in pencil
37” x 34” (93cm x 85.5cm)

Tracey Emin
These Feelings Were True, 2020
Lithograph printed in colours on Somerset Velvet Warm White wove paper
Signed, dated and numbered from the edition of 50
25.5” x 22” (65cm x 55cm)


4101 Like Dreams, from The Currency, 2016
Enamel paint on handmade paper
Signed, titled, dated and numbered ‘4101. Like Dreams. 2016. Damien Hirst’ in pencil verso, from the series of 10,000 unique variants
12” x 8” (29.8cm x 21cm)






I Was Left Sleeping, 2017
Lithograph printed in black on Somerset wove paper
Signed, titled, dated and numbered from the edition of 50 in pencil
21” x 24” (53.8cm x 62.5cm)

I Couldn’t Tell Anyone I Loved You, 2020
One colour lithograph on Somerset Velvet Warm White 400gsm
Signed, dated and numbered from the edition of 50
22” x 26” (65.5cm x 55.5cm)

Four Thousand Years, 2020
One colour lithograph on Somerset Velvet Warm White 400gsm
Signed, dated and numbered from the edition of 50
22” x 26” (65.5cm x 55.5cm)

The Kiss Was Beautiful, 2016
Offset lithographic poster printed in colours on 250 gsm silk finish paper
Signed in silver felt-tip pen, from the edition of 500
20” x 28” (50cm x 70cm)